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Bach - Goldberg Variations (1955) | 
| Creators: Johann Sebastian Bach, Glenn Gould
Label: Sony Classical
Category: Music
List Price: £6.99
Buy New: £4.97
You Save: £2.02 (29%)
New (21) Used (7) from £3.01
Rating:  3 reviews
Sales Rank: 5473
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 5 x 0.5
EAN: 5099751747925
ASIN: B0002ISFRK
Release Date: July 26, 2004
Shipping: Eligible for Super Saver Shipping
Availability: Usually dispatched within 24 hours
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| Customer Reviews:
Truly Awe-inspiring Recoring!!! November 19, 2008
If I must choose three recordings of solo piano music which deserve the word 'awe-inspiring', my first choice is this recording of Goldberg Variations by Glenn Gould, second choice is Richter's Well-tempered Klavier (Bach - The Well-tempered Clavier, Books 1 & 2) and the third is Glenn Gould's 1981 recording of Goldberg Variations. Like Rony O'sullivan's 147 in 5 minutes 20 second, I don't think anyone can surpass this 1955 recording by Gould as long as mankind lives on, on this planet!
If you can actually watch how he plays the work on DVD (Glenn Gould - The Goldberg Variations [1981]), you will be even more amazed!!
Iconic Disc September 23, 2008
3 out of 3 found this review helpful
This is a truly iconic disc, the legendary performance that introduced an eccentric Canadian pianist to the world at large. Gould had made a sensational debut in New York with a programme that included Beethoven's Op 109 sonate, a Sweelinck fantasia and the Webern variations. Snapped up by a CBS talent scout, he requested his first release should be Bach's Goldberg Variations, a seldom performed work the Leipzig cantor wrote for an aristocratic insomniac. As the recording took place, Gould sat on his pigmy stool, swaying, groaning, humming and playing like a god. Inbetween takes he popped pills, donned his overcoat and ate arrowroot biscuits washed down with spring water as the press gathered curiously to see the spectacle. The resulting LP sold 40,000 copies, redefined Bach playing and made Gould an instant star. Today, with many more fine recordings of the work, this is still the one that sets the benchmark. Invest and be dazzled by some of the greatest and most exciting piano playing ever committed to disc.
DA CAPO June 9, 2006
55 out of 57 found this review helpful
Sony's earlier release of this set, dating from as lately as 1992, is still available, but I'm sure they have some terribly good reason for reissuing it now. There is a reference to remastering of the sound, but I can't find out whether this is against the 1992 issue or the original one from 1955. The new disc sounds much like the old one to me, the sound of that was excellent (particularly for engineering now half a century old), and as for the performance...
This is the recording that first announced the Gould supernova to the musical world. He was 22 years old in 1955, he disavowed this account when he recorded the work again in1981, but much as I admire the latter this is the one for me. It is historic in more ways than one. In the first place it restored Bach-playing on the piano to fashionable respectability, as even Rosalyn Tureck had not quite managed to do. In the second place it marked the debut of one of the greatest geniuses, I am in no doubt at all, that ever played the instrument. Gould was a scholar and intellectual (although an unpretentious one), and his feeling and respect for the spirit of Bach's style were as acute as his interpretative sense was imaginative. However what pinned everyone's ears back when Gould came on the scene was just his phenomenal skill as an executant. Michelangeli himself was not more of a perfectionist than Gould was, and the cut-diamond super-perfection of his runs, trills and ornaments remains a thing to astonish the listener even in an age of ultra-accomplished technicians of the instrument. He has never been to everyone's taste, so I have no way of knowing whether he will be to yours with his rocketing speeds in certain variations, but I simply can't get enough of him.
There is a minor extra with this new release, namely some snippets from the recording sessions. This bonus is of course interesting, given that we are dealing with a prodigy of quite the stature of Gould, but I can't hear it as any major event given this maestro's well-known talkativeness. It can do no possible harm quite obviously, and if it gets on your nerves nothing is easier than to skip it. Failing that, Sony still seem to have the 1992 set available. Gould died abruptly of a stroke shortly before his 50th birthday, leaving behind him a more generous recorded legacy than certain other maestros of comparable eminence whom I shall not name. We lost him while he was still at the summit of his powers, and I have no idea what his early loss has denied us, because his range was a lot wider than one sometimes sees suggested. One way or another, this is the performance that set the ball rolling. As with the 1992 set there are a couple of fugues from the 48 as fillers, and the mildly interesting new element may simply be there to pad out the playing time, as in this performance Gould does not play repeats in the variations. His own essay accompanies the set by way of a liner-note, and for all its PhD-student idiom its fascination is obvious and intense given its authorship. I have his later performance too, including the broadcast discussion in which he repudiates this performance. It may be that I shall someday come to hear the matter the way he did, but I very much doubt it. This is the performance for me.
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