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Modern Guilt | 
| Artist: Beck
Label: XL Recordings
Category: Music
List Price: £13.99
Buy New: £8.98
You Save: £5.01 (36%)
New (35) Used (4) from £6.48
Rating:  12 reviews
Sales Rank: 138
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 5 x 0.5
UPC: 634904036928
EAN: 0634904036928
ASIN: B001ASVALY
Release Date: July 7, 2008
Shipping: Eligible for Super Saver Shipping
Availability: Usually dispatched within 24 hours
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| Tracks:
| • | Orphans | | • | Gamma Ray | | • | Chemtrails | | • | Modern Guilt | | • | Youthless | | • | Walls | | • | Replica | | • | Soul of A Man | | • | Profanity Prayers | | • | Volcano |
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| Customer Reviews: Read 7 more reviews...
 Competent, but no classic August 21, 2008
'Modern Guilt' has the feeling of an 'in-between' album, although having said that, Beck's last truly great album was 'Sea Change' - 'The Information' and 'Guero' had moments of brilliance, but were incomparible to 'Midnite Vultures' or 'Odelay'.
I think the saddest thing about this album is that its hard to even pick one song that could have been a decent launch single. Its all just... samey, which is a shame.
I've not given up on Beck, because he clearly has talent... but this feels like an album cranked out in his sleep.
 Unfairly labeled a return to form, as he was always deadly July 29, 2008
4 out of 5 found this review helpful
Like I said above, nearly all the reviews I've read for Modern Guilt have praised it as a return to form, "best since Sea Change", and that sort of garbage. Lazy, lazy journalism, particularly considering I read the exact same things about previous two albums (and bona fide clinkers) Guero and The Information. Where Modern Guilt outshines those albums is in its length, as both were at least twice as long as the half-hour Modern Guilt. That, and the music.
Which is fantastic. For reasons I don't understand, this Beck album took me the longest to get into. Well, of the ones I like. The less said about the boring Mellow Gold and the HIDEOUS Midnite Vultures the better. I was initially put off by how minimalist the album sounds. After about three listens, I was completely and utterly dependent on it. I couldn't do without it. Still can't. Strange that, isn't it? I think the reason for it is that I like the songs, or something.
Seriously though, the songs are fantastic. From the opener "Orphans" to closer "Volcano", there's not a duff moment on here. Plus, not one of the songs outstays its welcome. Once the verses, choruses and bridges have had their moment, its onto the next one. "Gamma Ray" is about the funnest song of the summer so far, "Chemtrails" has some incredible drumming and eerie vocals, "Modern Guilt" is relentlessly catchy, "Youthless" and "Replica" sound like Guero culls, "Walls" could pass for a Gnarls Barkley song (thanks Danger Mouse), "Soul of a Man" is sleazy as anything, "Profanity Prayers" is a super-happy bass fest and "Volcano" is perfect. The songs are as sparse as the artwork, but Beck doesn't need to layer his songs full of washboard solos and Schubert to be great. Modern Guilt's your proof.
A beautiful reminder of Beck's genius July 24, 2008
0 out of 1 found this review helpful
I can't really see what people are complaining about. Beck has spent the last countless years reeling out album after album of quality, thought provoking and truly original music.
Modern Guilt is a timely reminder of the sheer quality of his song writing, yes it's shorter this time but that affords him only track where he breaks out the "experimental"/quirky/frankly not very listenable stuff in 'Replica'.
Frankly the first and last tracks contain everything you need to fall in love with Beck either for the first time or the 500th.
Volcano in particular is potentially his most beautiful track to date and makes me go all goosepimply just listening to it.
I can't see how comments along the lines of "this isn't as good as seachange or odelay" hold any value at all. If it's that era of Beck you like then go back and listen to those albums - or compile yourself a "best of beck" CD - there's plenty to choose from!
These are dark days in terms of the quality and originality of music on offer and this latest offering from Beck is much needed ray of light - a reminder that human beings can still make music that is worth listening to.
 Modern guilt of past crimes July 21, 2008
1 out of 2 found this review helpful
I like any hardcore fan of Beck from the start, stopped listening to him when the atrocity that was Midnight Vultures came out.
After that I pretty much resinged his career to the bin as I did with said Lp.
I gave up on him as he lost what he once has and had never actually came close to Mellow Gold in music terms since. This Lp though is a nice little shot in the arm. Every track is great and pulls on some matured posturing albeit with a sturdy nod towards some of his older work ethics.
There is not a single bad track on this Lp and the beats on it are great, unlike a former review claiming 8 out 10 were just wrong.
A big thumbs up. If Beck carries on releasing this kind of quality I'll defnitely start listening to him again.
 No Beck. No. July 17, 2008
1 out of 6 found this review helpful
The i-tunes exclusive single "Timebomb" was no masterpiece and seemed a bit too much like a mid life crisis attempt to rekindle the fun of "Sexx Laws" era Beck. At least it was fun.
Following that release, Beck has chosen to change tack and go for a more "introspective" Beck record. Sadly this is no "Sea Change" - his last brilliant record in my view. The teaming with Dangermouse is also a mystery...he hasn't worked his magic here and recent Gnarls Barkley material would suggest that he too has lost his muse.
"Chemtrails", the lead track, is reasonable but in comparison to his past glories it sounds like a C side, bot even a B side. This record saddens me greatly, and seems like such a waste of time. The fact that it is his last release for Geffen in the US strongly suggests contractual obligation, and nothing else. Avoid at all costs.
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