Figure 8

That taken into consideration...I have been a fan of Elliot Smith since around 1998 and, although I've not listened to him so much recently (due to it being three years since he had released an album and the fact I had recently bought several other albums) he has remained one of my favourite songwriters and I had been eagerly looking forward to his sixth album.

When I heard he had died, the first thing I did was stick this (his last and my favourite CD) on and was reminded how wonderful it is.

Despite his reputatation as a sad acoustic troubadour, this album displays a range of talents from the piano-led "In the Lost and Found" to the snarling rocker "Junk Bond Trader" while final song (bar a closing instrumental) "Can't Make A Sound" has shades of Mercury Rev or Flaming Lips in use of effects and production.

Obviously Nick Drake and the Beatles remain reference points but it must be pointed out that Smith was no copyist and I truly feel his best moments could not have been written by anyone else. "Everything means nothing to me" and "Happiness" in particular shine here although, perhaps even more so due to what has happened, it is the quiet melanchony "I'd Better Be Quiet Now" that sticks in the mind and may be used as an urgent comforter on lonely winter nights. The line "If I didn't know the difference, living alone would probably be ok, it wouldn't be lonely..." is to my mind one of the most heartbreaking lyrics ever committed to disc.

For a newcomer to Smith (and whilst some fans feel understandbly differently, I hope Elliot Smith gains a lot of new fans - he always deserved to) this album, along with XO, probably provide the most valuable introductions to his brilliant music.

To return my starting point, I don't agree with buying albums of people just because they've died. Especially when there are lots of reasons to try this superb album.


Heartbreaking   October 26, 2003
 4 out of 5 found this review helpful

This is one of my favourite albums of all time and it is almost unbearably sad to think of how deprived we have been of all the great music he would have made in the future. The lyrics are just so real....Please buy this album and all his others and it makes you realise how shallow most of the music created today is....


Smith's Masterpiece   October 24, 2003
 13 out of 13 found this review helpful

Elliott Smith's death this week hit me really hard; I've not experienced the loss of any of my heroes before. I had been checking his official site for months, awaiting news of the follow up to Figure 8, one of my favourite albums of all time (and certainly my favourite of Smith's, just edging out XO and Either/Or). So to be greeted with news of his demise was a massive shock.

For me, Figure 8 edges out his other full-production piece, XO, by virtue of not having a bad song amongst its 16 (even the quick instrumental that brings the CD to a close is strangely haunting, and aptly titled "Bye"). Either/Or - the last of his *acoustic* records, lacks the interest of Figure 8, although the songs are, as ever, fragile and poignant.

Figure 8 is one of those albums that when you first hear it, you like the sound, but nothing stands out; however, it grows with repeated listens, and where albums that instantly gratify tend to become irritating, works like this sound eternally fresh. The album is replete with sumptuous melodies, but they are not obvious ones. The pace is mostly gentle, but the songs don't blend monotonously into one and other; however, they do sit wonderfully side-by-side, and it sounds like an album from a man with one vision, rather than a collection of ill-suited sketches.

If I had to pick out one song, it would be Can't Make A Sound, which starts with a whisper but builds to the album's climax proper (before the addition of Bye). It seems apt that a man who took his own life in dramatic circumstances should have ended his final album (work in progress on his sixth album pending) with I'd better Be Quiet Now, Can't Make A Sound, and Bye...

I am incredibly saddened at Smith's demise, and, from a selfish point of view, angry that I will deprived of further releases by a genius of a songwriter (unless, of course, the work in progress was at a sufficient stage for us to hear). But if his death brings him to the attention to the world, and his work gets heard by a larger audience, then that is one crumb of comfort.


R.I.P Elliott   October 23, 2003
 3 out of 6 found this review helpful

This album (along with all his others) deserves a cherished place in your collection. Rest in peace Elliott.