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The Carl Stalling Project, Volume 2: More Music From Warner Bros.Cartoons 1939-1957 | 
| Artist: Carl Stalling Project
Label: Wea
Category: Music
List Price: £23.99
Buy New: £22.49
You Save: £1.50 (6%)
New (13) Used (2) from £10.13
Sales Rank: 94036
Format: Soundtrack, Import
Media: Audio CD
Running Time: 76
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 5 x 0.5
MPN: 45430
UPC: 093624543022
EAN: 0093624543022
ASIN: B000002MN3
Release Date: December 23, 1999
Shipping: Eligible for Super Saver Shipping
Availability: Usually dispatched within 24 hours
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| Tracks:
| • | Zoom and Bored | | • | Stage Fright | | • | High and the Flighty | | • | Bad Swiss Band | | • | Marching Pink Elephants | | • | Slap Hoppy Mouse | | • | Orchestra Gag | | • | Variation on Grandfather's Clock | | • | Variation on Chinatown My Chinatown | | • | Variation on Lucky Day | | • | Wind-Up Doll | | • | Guided Muscle | | • | Fall and Splat-SFX | | • | Ghost Wanted | | • | Unexpected Pest | | • | Drunk la Cucaracha | | • | Flea-Ridden Sheep Dog | | • | Golf Cue | | • | Barbary Coast Bunny | | • | Satan's Waitin' [Excerpt] | | • | Rubber Dog | | • | Pappy's Puppy | | • | Variations on la Danza | | • | Variations on Johann Strauss | | • | Kangaroo-SFX | | • | Mouse-Taken Identity | | • | Variations on Mexican Hat Dance | | • | Frazzled Coyote |
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| Editorial Reviews:
From Amazon.com
The second volume of the master Warner Bros. cartoon composer's work downplays the head-spinning montage of the first in favor of just-as-head-spinning complete scores. They aren't from the studio's best-known cartoons but from some of Stalling's most impressive tempo-warping, all-systems-go pieces, augmented by a few mini-pieces that illustrate the way he could transform barely familiar show tunes and classical themes into wild, rubbery jokes. Even without images, Stalling could make an orchestra suggest a "Flea-Ridden Sheep Dog" in 24 seconds flat and run enough changes on Stephen Foster's "Camptown Races" to match every mood in a Foghorn Leghorn cartoon. The head-snapping reversals of his scores anticipate much later avant-garde music. --Douglas Wolk
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