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Raising Sand | 
| Artist: Robert Plant And Alison Krauss
Label: Decca
Category: Music
List Price: £16.99
Buy New: £5.97
You Save: £11.02 (65%)
New (32) Used (2) from £5.45
Rating:  109 reviews
Sales Rank: 29
Media: Audio CD
Running Time: 57
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.4 x 4.9 x 0.4
UPC: 028947802051
EAN: 0028947802051
ASIN: B000Y932GQ
Release Date: October 29, 2007
Shipping: Eligible for Super Saver Shipping
Availability: Usually dispatched within 24 hours
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| Tracks:
| • | Rich Woman | | • | Killing The Blues | | • | Sister Rosetta Goes Before Us | | • | Polly Come Home | | • | Gone, Gone, Gone (Done Moved On) | | • | Through The Morning, Through The Night | | • | Please Read The Letter | | • | Trampled Rose | | • | Fortune Teller | | • | Stick With Me Baby | | • | Nothin' | | • | Let Your Loss Be Your Lesson | | • | Your Long Journey |
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| Editorial Reviews:
Amazon.co.uk Review
Led Zeppelin frontman Robert Plant and bluegrass crooner Alison Krauss may not be the likeliest of musical combinations. But on this welcome collaboration album, they work beautifully together, wringing a kind of magic from other people's songs. The key to the album is its versatility. Between them, Krauss and Plant can handle a vast repertoire on their own, and here they take on the lot, from folk laments and country soul to searing blues and upbeat rock & roll. Overseen by Elvis Costello producer T Bone Burnett and backed by high caliber musicians like guitarist Marc Ribot and multi-instrumentalist Mike Seeger, Raising Sand sees the duo create stellar covers of songs by Tom Waits, Townes Van Zandt, Mel Tillis and The Everly Brothers, among others. Highlights include a killer version of Roly Salley's "Killing the Blues", and a cover of the Plant-Page collaboration "Please Read the Letter," though in truth, it's difficult to find a weak spot on the whole album. --Danny McKenna
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| Customer Reviews: Read 104 more reviews...
 A dreadful waste of talent - and music buyer's money! June 22, 2008
2 out of 7 found this review helpful
Sadly someone obviously suggested to Robert Plant that this would be a good idea....recording a (mostly) countryesque album with Alison Krauss. They were wrong!! I have no problem with Plant (or anyone else for that matter) trying new things, but please..... this was a bad idea that should have stayed just that.... an idea!! Why on earth so many people feel the need to heap praise on this album is beyond me - it has no redeming qualities to my ears whatsoever - even if Robert Plant is involved.......come to think of it that old story of the Emporer's new clothes comes to mind!!
 Dark, sexy Americana June 9, 2008
When two of the most distinctive and transfixing voices came together, the result was always going to be interesting but the New Orleans genius T Bone Burnett has picked some fabulous and hypnotic songs which work perfectly. From the siren gypsy call of Sister Rosetta Goes Before Us to the raw power and pain of Nothin, to the bluesy Fortune Teller, this album gets under your skin and into your bloodstream. Absolutely bewitching. And if you can get to see Robert and Alison live, do whatever it takes to get tickets - they just glow onstage and the songs pack even more of a punch live.
musical candy! May 17, 2008
Alison Krauss and Robert Plant get together for a unique album that just gets better as it goes on. Of worthy note is 'just read the letter' To my mind it was such an unlikely partnership but it really works and country/ rock never sounded so good together a worthy addition for any collection.
 Disappointing May 8, 2008
4 out of 5 found this review helpful
As a long time fan of both Alison Krauss and Led Zeppelin, I was delighted to receive this album as a present. However, despite the obvious musicianship of both singers and their fine accompanists, Robert and Alison sound like two soloists rather than a duet to me, turning what might have been quite interesting material into something rather boring.
 Voices April 27, 2008
2 out of 2 found this review helpful
Raising Sand by Robert Plant and Alison Krauss is a special recording. Here is a collection of a baker's dozen haunting and atmospheric slices of Americana, enhanced by sparse production and exquisitely understated musicianship. The Plant fellow is on restrained form and the numbers benefit from his tender and thoughtful interpretations. Krauss possesses a beautiful voice, its clarity reminding me a little of - don't mock - sixties song thrush Mary Hopkin. Both voices complement each other splendidly and some of the harmonies are ethereal, subtle and rather magical. Not one note is wasted; every second is exceptional. A pleasure.
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