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Tapestry: Remastered

Tapestry: Remastered


Other Views:
Artist: Carole King
Label: Legacy
Category: Music


New (26) Used (4) Collectible (1) from £3.70

Rating: 5.0 out of 5 stars 16 reviews
Sales Rank: 227

Format: Enhanced
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 4.7 x 0.4

EAN: 5099749318021
ASIN: B0000258CK

Release Date: June 14, 1999

Tracks:

  • I Feel The Earth Move
  • So Far Away
  • It's Too Late
  • Home Again
  • Beautiful
  • Way Over Yonder
  • You've Got A Friend
  • Where You Lead
  • Will You Love Me Tomorrow
  • Smackwater Jack
  • Tapestry
  • You Make Me Feel Like A Natural Woman
  • Out In The Cold
  • Smackwater Jack

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  • Harvest
  • No Secrets

Editorial Reviews:

Amazon.co.uk Review
Carole King was famous as a writer of girl group hits in the 1960s. In 1971, she became more famous. That's the year Tapestry became one of the biggest selling LPs of all time. It's easy to hear why--the music is loose, earthy, L.A. session-pop. King is casual, intimate, and tough; she covers all the emotional ground of the post-liberated woman with ease. She brings adult nuance to "Will You Still Love Me Tomorrow?" and comes up with hits ("It's Too Late", "I Feel the Earth Move") whose white soul realism and maturity put pop hits to shame. --Steve Tignor


Customer Reviews:   Read 11 more reviews...

5 out of 5 stars Sublime   November 27, 2008
This is the product of an artist at the apex of their artistic trajectory. Already a prolific song writer, King indulges her instincts on this album and, with one exception (Smackwater Jack), delivers in spades. Donald Fagen said "God is in the details, but there are no details anymore". Listen to this album, compare it to a modern release, and discover what the he was talking about. Production is basic by modern standards, talent shines through the limitations of the technology.

"Where You Lead", "You've Got A Friend" & "Will You (Still) Love Me Tomorrow" aren't even the best tracks on the album! "I Feel The Earth Move" is pared down to basics, driven along by vocals and piano. Gospel in its intensity, the dynamics quash the cover versions. Come to that, the best songs on the album aren't even hits, "Way Over Yonder" evokes a conflict still resonant today. On paper, "Tapestry" is cod mysticism; in King's hands it is a numinous fable, alchemy no less. Convinced?



5 out of 5 stars A Classic By Anyone's Standards   March 22, 2007
 10 out of 10 found this review helpful

Of all the introspective styled singer-songwriters of the early seventies Carole King would perhaps seem a most unlikely candidate to adopt that genre - after all her success was at its peak a decade earlier when she was predominantly a songwriter alongside her husband Gerry Goffin penning a great many fondly remembered classics aimed at the teen market. Fortunately, her forte had always been strong melodies and 'Tapestry', her second album is no exception although its style is more intimate than the style of her early career.
Actually, it's not unrealistic to regard 'Tapestry' as one of only a handful of truly great albums because there are very few albums that are so consistently great from start to finish without the odd filler. 'Tapestry' certainly isn't amongst those groundbreaking albums often touted for in the best album polls but it really doesn't need to be because it's the album's simplicity that is its biggest asset.
Carole mixes a couple of her old songs with her newer efforts - 'Will You Love Me Tomorrow' and 'Natural Woman' and although these versions are never going to eclipse the well known originals in terms of profile they are nevertheless both highly effective at interpreting the songs differently but also successfully. A number of the newer songs have also acquired classic status - especially 'It's Too Late' and 'You've Got A Friend' - best known through James Taylor's cover but it's really hard to imagine these original versions ever being bettered whoever decided to record them.
'Intimate', 'Sincere', 'Direct' are all words that have been used to describe 'Tapestry' over the years and they are all accurate. 'Classic' has also been used on occasions, too, and this term (despite being overused generally in popular music) is equally applicable in this case.
'Tapestry' is definitely a strong contender for the best album ever made.



5 out of 5 stars A tapestry made of fine durable fabric   March 11, 2006
 13 out of 14 found this review helpful

This is a classic album that sounds as honest and sincere now as it did way back in 1971. Imagine an album staying in the number one spot for fifteen weeks and on the charts for over SIX YEARS.

With four Grammy awards under its belt, and songs like “I Feel The Earth Move”; “It's Too Late”; “You've Got A Friend”; “Will You Love Me Tomorrow?”; “Tapestry” and “(You Make Me Feel Like) A Natural Woman”, this album belongs in any serious collection of ‘70s music.

See also the tribute album “Tapestry Revisited” where folk like Rod Stewart, Aretha Franklin, Amy Grant, Richard Marx, Celine Dion, the Bee Gees and Bebe and Cece Winans, among others, pay homage to this singer/songwriter extraordinaire.

A must-have album for your collection.

Amanda Richards


5 out of 5 stars If you haven't yet heard this, you are deprived!   August 10, 2005
 7 out of 8 found this review helpful

This album is a musical miracle. All of the tracks are beautiful, and suit any occasion: whatever my mood, Carole King has a song to express what I am feeling. My particular favourite is 'You've got a friend' - nothing James Taylor can come up with can compare to this - a heart-warming rendition of a song, which could be cheesy and tacky but, thanks to the singer's unique voice, is quite simply just wonderful.

I would like to express my wish for this to be a must-hear for people throughout the country - maybe like Shakespeare: compulsory listening at school!


5 out of 5 stars Prehaps the greatest love album of all time?   September 24, 2004
 6 out of 8 found this review helpful

carole king, i feel is rightly hailed as one of the greatest singers of all time, her voice has a rustic, welcoming sound that envelops you. The tempo is perfect for the songs, it leaves the lyrics to sink in while the slow, rhythmic melodies are almost like a lullaby. Get this album

 

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