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Amy MacDonald Music

The Shape of Jazz to Come: Remastered

The Shape of Jazz to Come: Remastered
Artist: Ornette Coleman
Label: Atlantic
Category: Music

List Price: £9.99
Buy New: £7.98
You Save: £2.01 (20%)



New (17) Used (1) from £4.39

Rating: 5.0 out of 5 stars 2 reviews
Sales Rank: 25070

Format: Import
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.4 x 4.7 x 0.3

UPC: 081227239824
EAN: 0081227239824
ASIN: B000026GV5

Release Date: September 17, 2001
Shipping: Eligible for Super Saver Shipping
Availability: Usually dispatched within 24 hours

Tracks:

  • Lonely Woman
  • Eventually
  • Peace
  • Focus On Sanity
  • Congeniality
  • Chronology

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  • Speak No Evil: Remastered
  • Giant Steps

Editorial Reviews:

Amazon.co.uk Review
On this highly influential 1959 album, Ornette Coleman's unique writing style and idiosyncratic solo language forever changed the jazz landscape. On classics such as "Lonely Woman", "Congeniality", and "Focus on Sanity", Coleman used the tunes' moods and melodic contours, rather than their chords, as a basis for his improvisations. In so doing, he opened up jazz soloing immensely and ushered in new freedoms--both individually and collectively. Lest these innovations sound too dry or abstract, it must be noted that both Coleman and trumpeter Don Cherry play with a deep-felt emotion and joy that is as infectious today as it was then. This is truly an essential jazz recording, marking the end of one era, providing the blueprint for the next. --Wally Shoup


Customer Reviews:

5 out of 5 stars One of the jazz records which everyone should own   June 16, 2007
 4 out of 4 found this review helpful

This is the ideal place to start for anyone interested in Coleman and a recording to rank along Kind of Blue and A Love Supreme. Coleman's departure ("abandonment" is too prejudicial a word) from the chord-based blues and jazz tradition gave him a reputation for difficulty before his forays into free jazz but, as I once read, the startling thing about "The Shape of Jazz to Come" is how melodic and rhythmic is it. "Lonely Woman", stately, mournful and passionate, is one of the finest openings to an album ever but the quality does not abate. The interplay between Coleman and Don Cherry on cornet is spellbinding and the Haden-Higgins bass and drums section is integral in propelling the music with a frequent spring and swing (witness Haden's bassline, including the bowed opening, on the centrepiece "Peace").

This is not a recording to fear or from which to shy. It is groundbreaking but accessible. I had the pleasure to see Coleman live a few years ago on his 75th birthday. His engaged and even ferocious playing belied his frailty and disarming modesty and compelled me to return to his blueprint literally of the shape of jazz to come. To paraphrase someone, this recording is, and is intended to be, seminal.



5 out of 5 stars Brilliant Album   February 1, 2006
 16 out of 17 found this review helpful

I always find it terribly irritating when people tell me 'owe yes, its a classic' about any album. What have they told me? Absolutely nothing, and so often this is the case with jazz 'classics'. The word 'free' is also often thrown at this album, but is infrequently explained. Well, it is a classic and the word free does have something to do with it. The music here is certainly not of the free jazz scene we see later, in artists such as Albert Ayler, Pharoah Sanders and in some of Coltrane's work to name but a few. The rhythm section thumps along with the thrust of a bop band, especially in tracks like 'Eventually' and 'Congeniality'. However, while Coleman's sax isn't screeching high and low, it is varying much more in improvising than others were doing at the time. It has the makings of a genre in it, but remains firmly attached to its own time.

Whats really fantastic about this album, is that it has that semi 'free' element to it, while maintaining the freshness of bop. There's something about the way its recorded, that makes it quite a breazy record. The later musings of free jazz officiandos tend to be brooding and dark, but this is much lighter on the pallet. A great album, could be a starting point, but be warned: if someone's told you this is free jazz, then you're in for quite a shock.



 

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