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Initials SG | 
| Artist: Serge Gainsbourg
Label: Commercial Marketing
Category: Music
List Price: £8.99
Buy New: £4.98
You Save: £4.01 (45%)
New (17) Used (4) from £4.69
Rating:  6 reviews
Sales Rank: 3811
Media: Audio CD
Running Time: 69
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 5 x 0.5
MPN: 063230
UPC: 044006323022
EAN: 0044006323022
ASIN: B00006IW6I
Release Date: February 24, 2003
Shipping: Eligible for Super Saver Shipping
Availability: Usually dispatched within 24 hours
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| Tracks:
| • | Le Poinçonneur Des Lilas | | • | Intoxicated Man | | • | La Javanaise | | • | Chez Les Ye-Ye | | • | Couleur Café | | • | Qui Est In Qui Est Out | | • | Docteur Jekyll Et Monsieur Hyde | | • | Bonnie And Clyde - Brigitte Bardot, Serge Gainsbourg | | • | Ford Mustang | | • | Initials B B | | • | Requiem Pour Un Con | | • | Je T'Aime Moi Non Plus - Serge Gainsbourg, Jane Birkin | | • | L'Anamour | | • | 69 Année Erotique - Serge Gainsbourg, Jane Birkin | | • | Sous Le Soleil Exactement | | • | Ballade De Melody Nelson - Serge Gainsbourg, Jane Birkin | | • | La Décadance - Jane Birkin, Serge Gainsbourg | | • | Je Suis Venu Te Dire Que Je M'En Vais | | • | L'Homme A Tête De Chou | | • | Marilou Sous La Neige | | • | Sea Sex And Sun | | • | Aux Armes Et Caetera | | • | Dieu Fumeur De Havanes - Serge Gainsbourg, Catherine Deneuve |
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| Customer Reviews: Read 1 more reviews...
Je t'aime September 5, 2008
An engaging introduction into the compelling music of the man who, in his own lifetime, was regarded as a French national institution: Serge Gainsbourg. This compilation provides a broad and chronological overview of his career; it begins in 1958 with the jazzy strains of 'Le Poinconneur Des Lillas and concludes, 22 tracks and 32 years later, with his gentle, unhurried duet with Catherine Deneuve 'Dieu Fumeur De Havanes' from 1980. Crammed in between are three decades worth of tracks in a multitude of musical styles, including: pop, jazz, rock, reggae and disco. Initials SG shows that Gainsbourg, at his best, had poise ('Initials BB) and passion (UK No.1 'Je T'Aime Moi Non Plus') in equal measures.
 A Fistful of Gitanes and lots more August 17, 2008
There was so much more to Serge Gainsbourg than the heavy-breathing lech that 'J't'aime' might suggest. He was one of the most unpredictable, most controversial and constantly creative individuals in music, ever. From the early days of 'Le Poinconneuer Des Lilas' through to his barmy latterday stuff, Gainsbourg took delight in thumbing his nose at authority and music critics alike. This compilation acts as a useful intro to the man's work - tracks like 'Intoxicated Man' also feature some fantastic organ playing, worthy of a Brian Auger, whilst 'Requiem Pour Un c...' display an engaging funk feel. 'La Javanaise' is a beautiful Chansonnier ballad, whilst 'Initials BB' - all about a chance encounter in an English pub, no less, boasts a brilliant string arrangement by Arthur Greenslade, responsible for the arrangements on such UK classics as Chris Farlowe's 'Out of Time'. This is an essential purchase, frankly, but if I were you, I'd track down all of Serge's stuff - their is no British act that is quite the equivalent of this chain-smoking genius.
Intoxicating Man (9/10) April 22, 2008
Serge Gainsbourg is criminally underrated outside France. Listening to this comprehensive best of compilation it is evident that there was more to him than the sleazy Gallic rogue that is stereotypically presented in the media. By contrast, `Initials S.G.' reveals Gainsbourg to be a restless sonic innovator. While his lackadaisical, half-spoken vocal style may be limited, Gainsbourg's compositions are original and prescient. Many of his songs are based around carefully constructed loops of sound that suggest his popularity amongst pioneers of hip hop and breakbeat. I used to think MC Solar's `Nouvelle Westerne' was more layered in its use of samples but is in fact lifted almost in entirety from `Bonnie And Clyde' - already a hypnotically repetitive loop of sound that predates conventional cut and paste techniques. This song and the likes of `Ford Mustang' and `Qui Est In Qui Est Out' are - like the films of the Nouvelle Vague - are early post-modernist high-jinx from a time when Tarantino and the likes were still in short pants. With their shouted pop cultural references and sassy disregard for convention, Gainsbourg was making a mish-mash of contemporary US culture before the Americans had thought of doing it themselves.
With a cast of muses from Bridget Bardot to Jane Birkin, Gainsbourg was a master of self-mythologising publicity, simulataneously iconic and ironic. But he should be given credit where it is due, for mixing so many styles (lounge, funk, jazz, Tropicalia, folk, and French disco all get a look in) into his weirdly uncoventional pop songs. There is even something of Bowie's `Sound and Vision' about `Sous Le Soleil Exactement'. Fans of old-school hip hop, Bowie, DJ Shadow, Nick Cave, Portishead, Tricky and David Byrne & Brian Eno should find plenty to like here, as well as fans of classic French and English pop from Joe Dassin to The Beatles.
I came to tell you I'm leaving.... June 4, 2006
1 out of 1 found this review helpful
Serge sings these words and we hear a woman crying in the background.A song that it is so easy for so many people to identify with.On other tracks there are people such as Brigitte Bardot and Catherine Deneuve who can hardly sing but who have been given lines to sing that enhance instead of detracting from the music.Initials SG is an intelligent and great sounding
album with all manner and mood of song included.Serge used to come to London and hardly anyone would recognise him - something which Jane Birkin said "drove him to distraction."There aren't many things that can distract me from listening to this cd - it's simply wonderful.
Epitome of Cool. February 12, 2004
20 out of 20 found this review helpful
This is undoubtedly the best introduction to Serge Gainsbourg there is out there. The variety of sounds and styles on this album is a testiment to the man's artistic integrity. No other comparable artist can straddle the genres of world music and pop music with such veritable ease.You've got the nightclub, Vegas sound of 'Intoxicated Man', the subtle sensuality of 'La Javanaise'. The funk groove of 'Chez Les Ye-Ye' (released in 1963 no less!). The Brazilian flavour of 'Couleur Cafe', the pseudo-psychedelic 'Qui Est In, Que Est Out'. The wonderful backing arrangements of 'Ballade De Melody Nelson' and even some folk guitar on 'Je suis Venu Te Dire Que Je M'En Vais'. You don't have to speak French to enjoy the wonderful songs on this album. Serge's laid-back vocal style (closer to talking than to singing) makes this album the epitome of cool. It says something about the Anglo-American world's lack of appreciation for non-English speaking performers, that an artist as talented as this should go, for the most part, unrecognized in the English-speaking world. Hopefully, discovery of this album will lead others to a greater interest in Serge's work and from there a greater interest in non-English speaking artists in general.
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